The influence of women in the evolution of art in Vienna in the early 20th century

Let’s dive into the creative profusion of the Wiener Werkstätte and celebrate the women who shaped Viennese artistic modernity at the beginning of the 20th century !

Founded in 1903, this movement is a true total art laboratory: imagine a community where everything, from furniture to fashion, including tableware, is thought of as a work of art, reflecting a new and liberated vision.

This aesthetic upheaval could not have had the same magnitude without the essential participation of women, long eclipsed by official history.

Today, their central role finally shines through, demonstrating unparalleled energy, audacity and inventiveness.

The Eight Artists

A Viennese scene in full emulation

At the turn of the century, Vienna was a scene of struggle and innovation.

While the Vienna Secession sowed the seeds of modernity, bourgeois society – marked by its conventions – resisted the wave of female emancipation.

However, women artists decided to occupy the space: the Acht Künstlerinnen (Group of Eight Women Artists), founded in 1900, mobilized to exhibit collectively.

At a time when official galleries and exhibitions favored men, these artists created eight independent exhibitions, breaking down institutional barriers and establishing the legitimacy of women's art.

This speech quickly expanded to the Wiener Werkstätte.

In this workshop, the diversity of female talents fuels innovation: they invest in textile creation, transform fashion, and invent new patterns and new materials.

Thanks to their presence, Viennese decorative arts took on an experimental dimension that would spread throughout Europe.

Emilie Flöge, Vally Wieselthier, Felice Rix-Ueno

Major figures: artists, entrepreneurs, pioneers

Among the women who embody this spirit, Emilie Flöge occupies a special place.

Much more than Klimt's companion, she was a true designer and business leader: in her couture salon, she led a team of dozens of seamstresses, surrounded herself with the greatest Viennese designers, did away with the corset and proposed a liberating fashion.

Thanks to her collaborations with the Wiener Werkstätte, she elevates fashion to a total art , where the audacity of forms and materials dialogues with the freedom of bodies.

At his side, ceramist Vally Wieselthier brings a new energy to Viennese earthenware. Her unbridled imagination allows her to design modernist, expressive, and sometimes provocative pieces that appeal well beyond Austria's borders.

It is also thanks to her that a new, more daring aesthetic emerged after the First World War.

In the field of textiles, Felice Rix-Ueno revolutionized decorative pattern. Born in Austria and later living in Japan, she introduced a visual grammar of abstraction, color, and infinite variation.

Alongside Gertrud Hoffmann, an innovative workshop manager, she encouraged the development of a unique textile design, identifiable by its avant-garde graphic compositions.

Art in everyday life

Women as cultural and economic drivers

But female influence is not limited to creation.

Women are also patrons, sponsors, clients, and logistical supporters of the movement .

Their choices, their taste, their desire to assert an autonomous modernity weigh on the direction of the Viennese style, but also on the economic success of the Wiener Werkstätte, for whom the textile and fashion section represents a vital source of prosperity.

This dynamic is part of a general context of emancipation, driven by figures such as Marie Lang and Rosa Mayreder, activists for civil rights and equality.

Thanks to this progressive ecosystem, the Viennese studios have become a veritable springboard for the recognition of women artists, allowing them to invent, dare, and share a vision of modernity based on inclusivity and audacity.

Plant motifs

A feminist and international legacy

This excitement inspired the entire European scene: the freedom of artistic expression of Viennese women echoed the Bauhaus, where the question of gender nevertheless remained ambivalent; it rubbed shoulders with the Parisian avant-garde, which was finally opening up to new artists.

Today, this part of history is benefiting from a passionate rediscovery: museums and researchers are bringing these pioneers, their works, and the way in which, through textiles, ceramics, fashion or the recruitment of young designers, they contributed to shaping modern art in all its forms back into the spotlight.

By telling this story, it is an ode to creativity, solidarity and self-affirmation that we share.

These women not only decorated Vienna: they invented new languages, opened the way to freedom for generations of artists, and instilled in modern art this desire to re-enchant the everyday.

Let yourself be inspired by their audacity and their genius: modernity is also, and perhaps above all, a feminine adventure.